Biography

Avery Mays is an undergraduate art major at the University of Texas at Tyler and is expected to graduate with her BFA in spring of 2027. Mays is currently taking part in a work study at  the University of Texas at Tyler in the ceramics classroom, with the primary responsibility of studio maintenance. She has recently participated in two Juried Student Exhibitions in the Meadows Gallery at the University of Texas at Tyler, where she was awarded third place for her piece “Rendered Reflection” (juror Neil Harrington, 2026). Mays has also participated in a recent “Pop-Up Exhibition” for the University of Texas at Tylers Biology Department’s annual conference event for the Southwestern Association of Naturalists at the Holiday Inn Conference Center (Tyler, Texas). After graduation, Mays plans to continue her education at the graduate level at The University of Texas at Tyler.

Artist Statement

My work is multi-media, focused on value, contrast, detail, closeup, beauty in reality that is conveyed through realistic charcoal drawings as well as ceramic vessels. I want my work to submerge the viewer into the emotion of the subject matter whether it is uneasiness, sadness, joy, or nostalgia, by the complex details and value of the drawings. I want my ceramic vessels to bridge those complex emotions through visual textures, values, forms, and detail, as well as replicating the mark making and materials used in charcoal drawings.

My charcoal drawings use a range of medium to large scale paper with a person (typically a woman) as the subject matter. The drawings are closeup photos of faces, hands, hair, etc,. The drawings are high contrast and value bringing a sense of intense depth. The details of the light reflecting off their hair and skin contrast the darkest dark of the shadows and backgrounds.

My ceramics vessels are mostly made up of thrown vases that have added texture, carved texture, painted designs, and different raku techniques to achieve the desired effect. I am using a monochromatic palette to reference the charcoal drawings. Most of the vessels have some form of line-work or texture to convey value and contrast.

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